I'm not driving nails in nothing. But you can use other ways of arriving at this accretion. And every image that's in the accreted encrustation on that matters because each one of those images is selected because it performs a particular function.
You can end up with something that performs the same way without it having to mimic or having it look exactly like the thing that it's based on. And so this is the way in which you can use photography. Doing photography and using photography are two different things. I mean, and that gives you some idea of the kinds of things you can embed within an object like http://casinoslots-sa.co.za/neteller.
William Tucker was the first black child born in the United States. He was a child of one of that first 19 sold in Jamestown in 1619. Of course, that was me, one of my high school photographs. But since we don't know what William Tucker looked like, he could have looked like me. But anyway, various kinds of configurations-- power to the people.
More vignettes. Paintings about the ways in which paintings as objects become commodified, "Red Hot Deal." You know , this says, low, low price.
And I'm going to go faster actually. I just wanted you to get a close up view. So anyway, these coins are actually part of a sculpture piece called "The 99 Cent Piece." It's 99 cents in change. The 99 Cent Piece, also known as $136,000 in change. So it's the discrepancy between what the image that is represented and what it cost to produce it, because those pennies are actually four feet in diameter.
The quarter is five feet in diameter. And they are also gilded brass finish. Those two things have something to do with each other. And then what's up with that? What's up with that? We'll talk about it.
I had a funny story about that, but maybe I'll tell you later. So anyway, you get the picture. Back to photography again, this is a piece that sort of-- it's like a video, but it's a video that you can see all at once. So it's a series. These strips of photographs are 4 inches by 8 feet long. And it's about 140 feet in running length.
And it has all of the features that a video that runs on any kind of device, like a DVD or videotape. It has white noise. It has glitches. It has jump cuts. It has repetition.
It has all of the things, but you can stand in one spot and see the whole thing from beginning to end all at once. And you can rewind by walking backwards through it. You can jump to one spot or another.
But it's all out there available to you. And this is just a collection of those things. And it's all images that are taken from the neighborhood in which I live.
Everything that's within a block of my house or two or three blocks from my studio. So part of the whole point of projects like is you can make fantastic work from wherever you are. You don't have to be in a special place to find incredible things that are worth paying attention to and then making some work about. Photo installation, those two photographs, the big photographs are these images. This is another piece, one of the first pieces that I did when we moved into the neighborhood we live in Brownsville, which used to be overrun by gangbangers. You know, these are all tags on buildings that were in a within a block of my house.